we are Atlas

a brown-skinned hand holding a watermelon slice against a backdrop of water

cw: this poem contains references to war, genocide, and violence


scream, scream against the dying of the light
scream, against the dying
scream, scream

a better world is possible
it will take all of us to make it
where ‘all of us’ means those who will do the work

for those without a voice
for those with voices unheard
un-listened to
un-alived

scream, scream
a better world is possible
we will make it true

bring the weight of the world down on our shoulders
we are Atlas
we will carry it for those who
have no childhood
have no children
have no home
have no place

you taught us that humanity is cruel
you showed us on our bodies how deeply you hate
you cheered for death
you called the cops
you sent the bombs
you knocked over our tents
you blew it up again for good measure
you drove over our bodies

we are willing and unwilling sacrifices
we are finding each other
we are pulling someone from rubble
we are throwing water on a fire
we are letting it burn

we cannot rest
how can we rest

we will scream until
nobody needs to scream again
even when history repeats its cycle
we will be screaming and screaming

peace does not arrive on its own
we must weave it into reality
a better world is possible only if we are willing
to scream
to up-end
to block the road
to shame you in your own home
to remind you that you stole that land
to never let you forget

if we remember anything
if our descendants recall who we were
let them remember how we screamed
why we screamed

this is the blessing we leave you
don’t fear
don’t hesitate
don’t forget
let peace embrace you like our love
we hope you live in the better world

Phoenix Kelley, May 5 2024


epilogue:

This is the revolution tell me
Where were you
When our flags turned white
Cause our lips turned blue

When the pavement’s red
When your friends are dead
When the sky turns black
While you’re in your bed

If they come for us they could come for you
When they take my life they could take yours too

This is war this is war
What are we fighting for
What are we dying for
This is war

When the bodies drop don’t look away
Watch the bullets fly to the sound of grenades
I will never be afraid

Remember their names don’t look away
When the killing stops don’t look away
Watch the victims cry to the sound of brigades
I will never be okay
Remember their names don’t look away

selection from This Is War by Huxlxy

This Is War: Spotify link
This Is War: YouTube link
This Is War: Soundcloud link


postscript:

I’ve been reading a lot of books and listening to a lot of music and watching a lot of Asian dramas and not sleeping very well and having a lot of allergies and feeling depressed and having high chronic pain days and feeling extremely overstimulated by almost everything.

My collection of documents now includes a list of the (over 100) dramas I have on my watchlist(s), plus what I’m watching, and what I already finished; plus all the books I’ve read, which ones I’m reading, and my TBR list for this year. An itch needed scratching, I guess, and I’m updating the document every time I start or finish something, so it feels like I’m doing something with it.

I will leave you with a video I saved from TikTok and uploaded as an Instagram reel: Columbia University students screaming at the top of their lungs in the night at the university president’s home. Scream. Scream as loud as you can.

(posted reel on Instagram: direct link is here)

xox,
Nix

the defiance and pain of queer being

a nebula in shades of red and black surrounding a white star

cw: honest discussion of queer existence and existing as a queer person


I have been consuming a lot more queer media lately; more than I have at any time in the past. It’s beautiful, and it hurts.

Most of the time I try to put my face forward, my chin high, ignoring all the things that might hurt me while also not actually being able to ignore them. I’m in my mid-forties and I am queer, and it is my job — so I tell myself — to be a light in the vast darkness for other queer people, especially queer people who are younger than me. Because our lights flicker out so often. Because our candles burn inexorably until they are gone.

When I watch and read queer media, I cherish all the secret ways that infinite and similar queerness shows up. It’s beautiful to see the hope, the hidden smiles, the love so bittersweet. But the simultaneous grief of being queer, of existing as a queer person in the world, sometimes gets too loud in my body for me to keep my head up for a while.

I grew up as a girl that climbed trees, read books all day and by moonlight, misunderstood how to be feminine, feared my father’s explosive anger. He did everything he could to silence who I am, although I don’t think he actually knew the whole of me. I don’t know that I do either, but I’m more than what he thought I was.

I am not a girl. I am not a woman. I am not a boy. I am not a man. I am myself. My gender is me. There is no one else like me in the world.

The tattoo on my right arm, my first one, is Jörmungandr. Jörmungandr has no gender; it is a child of Loki and Angrboða; a monster, the world-enclosing serpent whose purpose is to be. It creates boundary. It lives in a liminal place. The World Serpent wraps itself around the edges of our world, holding its own tail, waiting in timelessness and moving in the warmth of life’s water for the always-repeating cycle of action, destruction, death, rebirth. The Allfather is afraid of all of Loki’s children, because they all bring a kind of doom, but that doom is familiar to me.

I am also a monster (all of my favorite people are monsters). I have a doom in my heart, borne out of the truth of what I am. Jörmungandr wraps around my right arm, scales in shades of turquoise and blue and green and black, insistent that I exist, I am here. A thing in liminality is still itself. My doom is not of a fate that will destroy me — it is the doom of living in different-ness. I am the shape of an unknown thing, and many people are afraid of what they don’t understand.

Defiantly I live my queerness, yet also I keep it in quietness and with the anticipation of future-possible destruction. There are so few safe places for us. I have found and helped to create a safe place here in my family, ten people strong, nine of us always living in the same big house together, holding each other after we fall down and insisting that we belong.

I don’t always know who I can trust, out there in the wider world. I don’t know who will see me and feel hatred. I don’t know who will want to hurt me, although I can sometimes guess. I wear my mostly-shaven hair and the metal in my face and ears and my inky arm in shamelessness, but I walk in danger always. My voice gives away that I am in-between, one of the things I love about me the most; a little bit of testosterone, not too much, not too little, and I can feel the depth of voice that is part of me now that my vocal chords have physically changed.


I am a nebula painted among stars. I am Beethoven’s Symphony Number 7 in A Major, Opus 92: II Allegretto. I am the many-colored fire that lives within the wood becoming coal beneath a bonfire in the night. I am a tree discovering itself to be a tree, rooted but also interconnected. I am the horn of Helm Hammerhand sounding in the deep. I am the sweet heavy scent of summer air in a forest so dense the sun can’t be seen. I am a lost thing, a found thing, a rediscovered thing, an old thing. I am an eternity and I have no idea how long I’ve been here.

We are so beautiful. Even as we dance and glitter and breathe an air maybe only temporarily free, we are beautiful. So long as we exist, we will always be light in the darkness.


epilogue:

I long to feel
my heart burned open wide
’til nothing else remains
except the fires from which I came

like parted souls,
divided for an age,
awe and wonder I’d embrace
and the world anew again
but now, this picture from me fades
from still’s cold hand there’s no reprieve,
light the fire in me

shine,
shine your light on me
illuminate me,
make me complete
lay me down,
and wash this world from me
open the skies,
and burn it all away
’cause I’ve been waiting,
all my life just waiting,
for you to shine,
shine your light on me

— selected lyrics from Nova, VNV Nation

Spotify link: Nova, VNV Nation

YouTube link: Nova, VNV Nation


No more words, just vibes. I am going to finish the book I am reading, Light From Uncommon Stars, and then I am going to put myself back together a bit at a time, but not alone.

xox,
Nix

featured images is a photo by Tasos Mansour on Unsplash

on being fundamentally changed

grey, black, and red lit clouds over a reflective lake surface

cw: this piece is heavily about metaphysical topics and frank conversation about death.

It was in March some years ago, before the pandemic. My important work was to assist with support during a potentially catastrophic ritual; I would only be doing what I was instructed to do, and for the rest I would observe and try to learn and to make sure that I kept my nose out of what was not mine to poke into.

Not much is written about the experience of being part of my tradition, and I think that’s probably because we are an oral tradition and are explicitly barred from writing most things down. We learn from our teachers who learned from their teachers who learned from their teachers, on and on and back and back in an unbroken line millennia ago.

I know that the idea of a tradition lasting in as pure a form as possible for that long may sound absolutely ridiculous to Americans in particular, because our experience as a people is so new. Mine is not the only tradition that has been around for time upon time.

What I think I can write about is some crumbs here and there of experiences that I have had during my lifetime thus far of being part of my tradition.

As I was saying, I was part of the support for a planned ritual that was a lot more dangerous than I can say (or have the permission to talk about). People like me, like us in this very small community of spiritual practitioners, often take on work that requires all of our commitment, to the death if that is where it takes us. We do this with clear eyes and with consent. We do this while taking into account the oaths we have taken. Some of us have requirements placed on us by the gods we serve or the traditions we’re part of, and those are not things you’ll know about unless you talk to one of us in person (and sometimes not even then). Some things are not to be spoken of, only known by whomever is meant to know them.

I am only including me in that group of people because I am at the beginning of my journey, but my work includes being a person who is that kind of spiritual practitioner. I am including me because it reminds me of who I am and why. It reminds me of the oaths I have taken and what measure I take of myself daily in order to fulfill them.

The ritual we were supporting did not go as planned, so we were working from our contingencies. (Never do something without at least a plan B. Ideally, have plans A through Z.)

Because of the kind of spirituality that I inhabit, that inhabits me, for a brief time I fell into a place that doesn’t exist here. I made a demand that perhaps I should not have made, and two things have happened now (maybe others, but I haven’t discovered them yet): I now have a life-debt obligation to a deity who is bigger than I can conceptualize, and I have forever left a piece of myself in that Other place.

I engage in death work because it is part of who and what I am. This doesn’t mean that it’s simple, or easy, or without challenge. I think it might be harder to be truly ourselves than to be otherwise.

I engage in death work because I can still remember — I can still hear — what it sounds like there. I have heard a cacophony I cannot forget. I have felt the other-ness of it and I can’t put it into any words that I know. And some of my consciousness became aware of why the realm of the dead can be so terrifying. And some of my consciousness wanted to scream and run as much as it wanted, a tiny bit, to stay and exist there instead. And some part of me begins to understand why Death is a Mystery.

I engage in death work because I know that the place I’ve been is not the whole of what death can encompass. I think it might be true that there are as many kinds of deaths as there are people who die, even though there are also commonalities between all experience.

The part of me that isn’t here any more has something of me with it. I don’t miss it because I still exist wholly, but it has changed me to be this way now. Whoever I was before I took my oaths, I am different. Whoever I was before the work of that ritual, I am different again.

It has been difficult to be this new person and still do the things I did before. Being part of a family, my chosen family, is a choice I must make consciously again and again; not because I don’t want to be with them, but because I don’t always feel like I’m here. I am, in truth and in experience, a polyamorous person — but I don’t know that there will ever be other people that I can be myself around other than the ones I already love who are near me. There are, and probably will continue to be, people who I want to love who cannot love me back.

My tradition has changed me, but in a way that solidifies who I already am. The actuality of me. The experience of my Self that I am having here and now and sometimes in an other-when. I used to think that I was weak, and tried to make that untrue by becoming as strong as possible. I used to believe that I was nobody, and tried to make that untrue by becoming important to people around me.

It is a bit of a joke we have in my tradition that the actual expression of our cosmological entities is something of what we call neurodivergence: the inerrant sense of justice versus injustice, the need to be exacting, the virtue of perfection that is so difficult to achieve within these bodies we currently inhabit. Loyalty beyond lifetimes. The persistence of truth.

This essay borders on the dramatic and the mystical, and that is because it contains both of those things. The truth of my life contains much experience of the mystical and the esoteric. The truth of Me is dramatic, at least when I try to express it.

Nix, you might be saying, this is all a Bit Much even for you. And I suppose that you might be right.


Anyway; it is cold here, and I have wanted to write but not had time nor spoons nor brainspace to do so since sometime last year. I’ve been reading a lot and this brings me so much joy. I’ve been watching The Untamed (don’t @ me) over and over again because it’s a beautiful story and it doesn’t have a sad ending. The last thing I want is to watch queer media with a sad ending.

featured image is a photo by Johannes Plenio on Unsplash


epilogue: Hoar Frost, A Tergo Lupi

Spotify link: Hoar Frost

YouTube link: Hoar Frost