and now I am forty-six

Live A Life You Will Remember

(pretentiously, the title is a Winnie the Pooh deep cut)

I am doing a lot of things right now that I’ve never done before. I realized that I can continue to change and become a person that I enjoy becoming. I realized that it’s never too late to pick a thing to like. I accidentally figured out that happiness, for my neurospicy self that can’t define ‘happiness’ or ‘joy’ very easily, is made up of lots of little experiences that I have that feel good. Like a favorite song played on repeat, even the smallest thing can bring me into a little pocket of space-time in which there is joy.

This is the year I’ve started to grasp why joy is so important to the movements of resistance for those of us who are disabled, and queer, and building the community that is the only way to a timeline where the world doesn’t end.

Since I have CPTSD, even though I work on it with my therapist regularly, I don’t tend to recall very well what happened more than six months ago unless I note it down somewhere. The only reason I remember important things that happened this year is that I started tracking the things that I realized I was genuinely enjoying, alongside the data I usually collect about weather and solar events and the cycle of the seasons.



books I read: even though I want to have already read more of them

The Far Reaches collection: How it Unfolds (James S.A. Corey), Void (Veronica Roth), Falling Bodies (Rebecca Roanhorse), The Long Game (Ann Leckie), Just Out of Jupiter’s Reach (Nnedi Okorafor), and Slow Time Between the Stars (John Scalzi).

Sleeping with Friends (Emily Schultz);
The Last Wish: Introducing the Witcher (Andrzej Sapkowski);
The Resurrection of Fulgencio Ramirez (Rudy Ruiz);
Ashes (Iona Wayland);
Light from Uncommon Stars (Ryka Aoki);
A Memory Called Empire (Arkady Martine);
We Ate the Dark (Mallory Pearson);
We Will Not Cancel Us: And Other Dreams of Restorative Justice (adrienne maree brown);
Gideon the Ninth (Tamsyn Muir);
Mexican Gothic (Silvia Moreno-Garcia);
The Visit (Chimamanda Ngozi Adichie);
The Colour of Magic (Terry Pratchett);
Hell Followed With Us (Andrew Joseph White);
An Unkindness of Ghosts (Rivers Solomon);
The Premonition (Banana Yoshimoto);
Grandmaster of Demonic Cultivation: Mo Dao Zu Shi (Novel) Vol.1 (Mo Xiang Tong Xiu).

There is a comfortable disarray of nineteen books that I have been reading but haven’t finished yet. Some of them are poetry and some of them are graphic novels and some of them are by indigenous authors and some of them are about death and most of them are queer or queer-adjacent. It has been a good year for me and other peoples’ words.

shows I watched: not enough but still so many

  • The Untamed promo image featuring Wang Yibo as Lan Zhan on the left wearing white, and Xiao Zhan on the right wearing black and red
  • The Longest Promise promo image showing Ren Min as Zhu Yan on the left wearing red, and Xiao Zhan as Shi Ying on the right wearing white
  • I Cannot Reach You still image showing the two main actors lying on their backs on the grass wearing school uniforms
  • Tale of the Nine-Tailed promo image featuring Lee Dong-wook as the nine-tailed fox Lee Yeon. His face is partially in shadow and a beam of light reveals his golden colored eyes.
  • Word of Honor promo image showing Zhang Zhehan as Zhou Zhishu on the left wearing blue, and Gon Jun as Wen Kexing on the right wearing red.
  • Love Between Fairy and Devil still image showing Dylan Wang as Dongfang Qingcang on the left wearing dark colors, and Esther Yu as Xiao Lanhua on the right wearing light colors.
  • Miss the Dragon promo image showing Dylan Wang as dragon king Yu Chi Long Yan, dressed in gold with white hair.
  • Back From the Brink promo image showing Zhou Ye as Yan Hui on the left and Neo Hou as Tian Yao. They are both wearing elaborate white and silver clothing.
  • The Princess and the Werewolf still image showing Chen Zheyuan as Kui Mu Lang on the left wearing dark clothes, and Wu Xuanyi as Princess Qi Pa on the right in white and yellow clothes.
  • Lost You Forever season one promo art
  • Till the End of the Moon show art featuring Luo Yunxi as the Demon Lord on the left in dark clothing, and Bai Lu as Li Su Su on the right in white and gold clothing.
  • Love Better Than Immortality show art featuring Zhao Lusi as Chun Hua on the left, and Li Hongyi as Qiu Yue on the right. They are wearing light colored clothing.
  • Falling Into Your Smile promo image showing Cheng Xiao as Tong Yao on the left, and Xu Kai as Lu Si Cheng on the right. They are wearing light colored clothes.
  • Sword and Fairy 6 promo image showing Xu Kai as Yue Jin Zhao on the left, and Esther Yu as Yue Qi on the right. They are wearing blue colored clothes.
  • My Demon promo image showing Song Kang as Jeong Gu-won on the left, and Kim You-jung as Do Do-Hee on the right.
  • My Beautiful Man promo image showing Riku Hagiwara as Hira Kazunari on the left, and Yagi Yusei as Kiyoi Sou on the right. They are wearing blue colored clothing.
  • Guardian: The Lonely and Great God promo image showing all the main cast.
  • Doom At Your Service promo image showing Park Bo-young as Tak Dong-gyeong on the left, and Seo In-guk as Myeol Mang on the right.
  • Warm on a Cold Night promo image showing Bi Wenjun as Han Zheng on the left wearing dark clothes, and Li Yitong as Su Jiu Er on the right wearing light colored clothes.
  • Hotel Del Luna promo image showing IU as Jang Man-wol on the left wearing white, and Yeo Jin-gu as Koo Chan-sung on the left wearing black.
  • My Journey to You promo image showing Zhang Linghe as Gong Ziyu on the left, and Esther Yu as Yun Weishan on the right. They are wearing dark colored clothes.
  • Love Behind the Melody promo image showing Bao Shang En as Li Sa Sa on the left wearing bright orange and turquoise, and Wu Chengxu as Lu Jing Nian on the right wearing light brown clothes.
  • The Inextricable Destiny promo image showing Wang Youshuo as Rong Yu, wearing light colors.
  • Love You Seven Times promo image showing Ding Yuxi as Chu Kong on the left, and Yang Chaoyue as Xiang Yun on the right. They are dressed in red wedding clothes.
  • Destined With You promo image showing Cho Bo-ah as Lee Hong-jo on the left, and Rowoon as Jang Sin-yu on the right. They are wearing light colored clothing.
  • Hidden Love promo image showing Zhao Lusi as Sang Zhi on the left, and Cheng Zheyuan as Duan Jiaxu on the right. They are wearing light colored clothing.
  • Wonderland of Love promo image showing Xu Kai as Li Ni on the left, and Jing Tian as Cui Lin on the right. Both are wearing leather armor.
  • The Bride of Habaek promo image showing Nam Joo Hyuk as Habaek on the left wearing blue, and Shin Se Kyung as Yoon So Ah on the right wearing white.
  • Good and Evil promo image showing Connie Kang as Han Sheng on the left wearing pink, and Fiction Guo as Chun Yao on the right wearing blue.
  • My Holo Love promo image showing Yoon Hyun-min as Holo on the left, Ko Sung-hee as Han So-yeon in the middle, and Yoon Hyun-min as Ko Nan-do on the right. Holo is wearing light colored clothes and the other two are wearing darker colored clothes.

please enjoy the above slideshow of beautiful people being beautiful about the shows they’re in

Starting off January with a bang (in a gay way lolol), I finished watching The Untamed on Netflix and discovered an additionally lovely special edition on YouTube, so technically I watched it at least twice to begin with. It’s officially a comfort show now, so I can put it on and just enjoy the vibes if I want to.

The Longest Promise is perfectly nice and stars one of the actors I love from The Untamed, although it isn’t gay so I’m meh about it. Also, I haven’t been able to watch Wang Yibo in anything else since the Untamed because I saw him being gay and now I refuse to unsee it.

I Cannot Reach You, my first Japanese BL series, was more abrupt than I expected but it was kind of adorable. Tale of the Nine-Tailed was my first K-drama, which had me deep in my feels and having epiphanies even though I didn’t ask for them. I then watched Word of Honor, which is stealthily gay (not really very stealthy tbh) and I loved it. Love Between Fairy and Devil changed my opinion of straight C-dramas and from here on out, every straight romance I’ve watched is because the male lead is Gender Goals ™ (the hair, the extremely sharp & precise eyeliner, the masc energy). Miss the Dragon was a good reminder of the nebulous type of happy ending I have been noticing in all these Asian dramas I’m enjoying.


Wang Yibo as Lan Zhan in The Untamed

I saw him being gay and now I refuse to unsee it


Back From the Brink was beautiful and it HURT my FEELINGS. I think there is a second season, which will probably also hurt my feelings. The Princess and the Werewolf was corny, but the acting and set and costuming were really well done, and it was my first introduction to Chen Zheyuan, who is one of the adorable people I like looking at. Lost You Forever [season one] was a story I couldn’t stop watching and I am psyching myself up for season two because IT IS INTENSE.

Till the End of the Moon wrecked me. In a good way, like how deep tissue massage hurts like fuck but later you feel like an unrolled de-boned paper bag.

Love Better Than Immortality was less interesting than I had hoped, but I’m not upset that I spent time watching it. Falling Into Your Smile is a modern C-drama featuring Xu Kai and his dimples as a sumptuous feast for the eyes. Sword and Fairy 6 was lovely but a little too vague at the end. My Demon is another K-drama that I loved which also hurt my feelings. My Beautiful Man is a BL J-drama that was kind of a letdown, but there are more seasons so who knows? Maybe I will try again. Guardian: The Lonely and Great God is a K-drama that fucked me the fucking fuck up and I don’t think I can watch it without hysterically sobbing again, but it’s SO good.


Gong Yoo as the Goblin from Guardian: the Lonely and Great God, sobbing as he holds the woman he loves

my kingdom for a man that can cry as hard as he can love


Then I finished Doom At Your Service, another emotionally complicated yet satisfying K-drama; Warm on a Cold Night, a cute somewhat unserious C-drama; Hotel Del Luna, yet another K-drama that kicked me in the metaphorical balls; My Journey to You, a marvelously dark C-drama that I hope has a second season because OTHERWISE WHY DID IT END LIKE THAT; Love Behind the Melody, a C-drama that was easy to watch and the ending didn’t hurt my feelings.

The Inextricable Destiny is a C-drama that plays with some ableism tropes in an interesting way. Master Devil Do Not Kiss Me (season 1) is my HUGE REGRET, I only finished it because I thought something would finally make it worth it but it was NOT. Conversely, Love You Seven Times is one of my favorite C-dramas because the actors are pretty and the multiple-lives storyline is so well put together and sweet. Destined With You is another gorgeous K-drama that I would love to watch again; Hidden Love is the most precious and sweet modern C-drama I have watched so far.

Which brings us to this month, in which I have finished Wonderland of Love, an emotionally challenging but beautiful story featuring Xu Kai and his wonderful dimples; The Bride of Habaek (The Bride of the Water God), a K-drama that — you might be sensing a theme here — gave me Emotional Damage although I knew it was going to happen and I did it anyway; Good and Evil, which was a little silly but the male lead, played by Fiction Guo, has the most beautiful mouth. Just so pretty. And finally My Holo Love, a K-drama that was less rough on the feelings but still a gorgeous complex story exploring what it might be like for an AI to interact with people on an emotional level.


Fiction Guo head shot

good morning to Fiction Guo’s aesthetics specifically


I’m in various stages of watching fifteen more shows (haha lol) and there are fifteen on my on-hold list since I overdid it with shows that starred the same actors, resulting in my getting a bit confused on what storyline I was watching. I have a massive watchlist, but it’s aspirational. I know I can’t literally watch all more-than-a-hundred shows, but I am interested in watching each one. I also gave myself permission not to finish a show if I just can’t get into it.

I’m not anywhere near done

One of my housemates introduced me to K-pop, which means that sometimes the song already playing in my head when I wake up (I’ve heard this is kind of a specific neurodivergent thing?) is either Say My Name by ATEEZ, Bite Me by ENHYPHEN, or MEGAVERSE by Stray Kids. (I am noticing a lot of ALL CAPS lol)

I started learning Cymraeg (Welsh) over a year ago and I love it. A few weeks ago I decided I wanted to try Chinese — the one that Duolingo has, which is Modern Standard Chinese — including Pinyin and Hanzi, which is fascinating and so tricky. I think that my AuDHD brain really enjoys this kind of complicated challenge, where I’m trying to keep a pattern of characters (with correct brush strokes in the correct order) organized with accent marks for correct pronunciation, plus hearing and speaking words and phrases.

I discovered that coloring — of all things — calms my nervous system down. So I asked for some really nice pens and I am enjoying the heck out of my really nice pens and my fancy-feeling twenty-dollar coloring book. I don’t really know what I’m doing but that doesn’t actually matter. Art is what it is.

just think what I might do before I’m forty-seven

Through a natural process of getting older and therefore realizing more things, combined with an awareness of the transitional state my life has been in — from being a lonely parent of children and occasional romantic partner, to realizing that I am an integral and loved part of a chosen family where none of us have to be alone — it has become obvious to me that there is still so much life ahead of me. So many years to try things, and enjoy what I already enjoy, and take plenty of naps, and drink cool water, and stay up late reading, and crying when I’m reminded again that there is love and there is enough.

I shaved my head a week ago or so (what is time) and the possibilities inherent in a freshly shorn head are not lost on me. I didn’t used to be a person who was emotionally okay with having to do something again; but this year I think I’m learning to find joy in going back to the beginning to try again.

before I stop writing tonight —

I know that I don’t know where I’ll be in a year, but I will take you with me if I can.

I know that the planet is burning and the people who still have voices are screaming, and I will scream too and do all the small important things that add up to change: showing up in community and doing what needs doing, always with love and compassion and forgiveness for myself and for each of us when we fuck up sometimes, because we will.

I like to imagine that the people who read what I write here only know me through these words, but I know that some of you are specific people I know and love, people that know and love me. I know that some of you are acquaintances, some of you got here by accident at some point, and some of you would like to know if all of my content swings back and forth between pain and love like an ADHD pendulum (yes, probably).

I feel hopeful. I haven’t felt very hopeful in a while. I feel like there are people and things and places in this timeline that I haven’t got to quite yet, and the possibilities have not been erased. Even though this might be the darkest timeline, here we all are.

We aren’t alone.


Thank you for being here. My birthday is made better knowing that I got to write words about the things I think and believe and enjoy. And doubly so because you’re here reading it.

xox,
Nix


epilogue:

I wanted to share these lyrics because even though this song is about the heartbreak of being in relationship with someone who will definitely hurt you, it’s also about the experience itself of opening to love in a healthy context. This song resonates so deeply with me right now, because I know loving will hurt me, but it’s not a hurt for no reason. It’s not pain without purpose. It’s a gift of myself without an expectation of return; it’s love for the sake of being that unguarded and free.

holding on to you
holding onto you is like

slow dancing on land mines
it’s only a matter of time
oh but I can’t resist, oh I can’t resist
slow-dancing on land mines

love is a target
with my heart painted on it
love is a target
with my heart painted on it

Landmines, by BELLSAINT

Landmines on Spotify
Landmines on YouTube

featured image is a photo by Leonardo Sanches on Unsplash

the premonition, by banana yoshimoto

closeup of a dark brown tree trunk with some green leaves growing on thin vines. from the Aomori area in Japan.

I’m not in the habit of reviewing books, but sometimes there’s a story that filters into my heart and feels as if it has changed my soul in a subtle way.

cover of "the premonition" by banana yoshimoto. the shape of a house with two peoples' shadows, covered partly by green leaves
the premonition, by banana yoshimoto, translated from the Japanese by Asa Yoneda

I borrowed this book, the physical copy, from the local library. It caught my eye as I wandered through the stacks, partly because of the blue background, partly because the title and author name are in lowercase, which is unusual.

Reading a story that has been translated is a specific and important kind of experience, I think. Even though I don’t speak Japanese, and even though I have never met the author or the translator, there is a heavy sense of cultural experience that is both the same as what I know and entirely different.

It’s a short book, only 133 pages. As I turned each page, I noticed how many of them had been carefully folded down and then straightened out again, to mark a place for some other reader. There were more dog-eared pages than I would have expected for a short novel, but I think after reading it I can understand why a person would need to pause and reflect and feel before continuing on.

Without spoilers, I just wanted to acknowledge the ways this story felt real to me. The experience of premonition and the kind of knowing that happens to a certain kind of person — that is a thing I understand, and it is very difficult to properly describe. Somehow, the author captured some of that otherly, disconnected yet connected, underwater feeling.

Reading this book was like pausing and allowing the story to come to me as it was. Reading this book was like a tea ceremony, measured and careful and holy and warm and whole unto itself. Reading this book reminded me that life goes in directions we don’t know, and that we do know even when we don’t consciously know it.

As a person whose childhood memories are all but hidden from me — I did that myself, I had a very traumatic childhood — I could relate so achingly to the protagonist of the story.

As a person who is on an Asian drama binge, I appreciated the brief dipping into the thoughts and feelings of someone Japanese. I appreciated the things that are the same and especially the things that are not.

I have no idea how to give this book a star rating. It is the story that it is, and I think it’s beautiful.


If you read this book too, I would love to hear what you thought and felt about it. And how many times you needed to pause and turn down a page to keep your place while you absorbed it.

xox,
Nix

featured photo by Seiya Maeda on Unsplash

in my queer media era

large lettering on a concrete wall: WALLS ARE MEANT FOR CLIMBING. LAND BACK TURTLE ISLAND PALESTINE. WALL OF SHAME. from the river to the sea Palestine will be free.

Note: you might be getting this through WordPress’s native newsletter function, so you can go in and update whether you want to continue getting posts from me, or adjust the frequency.

It’s been … months since I wrote here. We decided to move our family’s various domains and data to one account, which meant a lot of backend stuff and waiting on DNS to propagate and so on, and then (you know how it is) I waited so long that I had no idea what to say so I said shit-all.

Well, that’s not entirely true. I have been saying plenty of shit, mostly shitposting, but also a lot of screaming with my whole queer self about genocide because a lot of people are screaming and I want to tell my children one day that I also screamed, for the same people, for the same reasons, because the world is wrong and it needs us to make it right.

I’ve been on Mastodon and Instagram being queer and weird and revolutionary. I’ve been reading books. I’m READING BOOKS. I haven’t been able to fully pay attention to books in any format for at least a decade, maybe two. I’ve been watching Asian dramas — I started out with a Chinese historical drama (a C-drama, if you will) and that was the gateway drug I needed and now I’ve got 170 things on my watchlists and 11 things in rotation right now and I am truly, deeply enjoying it so much.

I’m learning that the things I thought I already knew about love and joy and community were the very beginnings of a child’s thoughts, and that all the stuff I was wondering about were the fragments of dreams others have written down. I started reading bell hooks and I’m reading poetry and I am noticing such a heavy through-line between grief and love and joy and happiness and relationship, although it’s more of a web that I can only see a little of at a time.

I have been keeping track of the books, shows, movies, and music I’m engaging with this year and called it the Chronology of Finishment and yes I made up a word and I’m very happy with it.

That’s what I’ve been doing this year in between all the things needed to help a household run, and projects we’re working on. I don’t like to watch things that are dubbed, but I have AuDHD, so I have a lot of trouble just doing ONE thing at a time without distracting myself by getting lost in the middle distance. So I have been playing really simple games on one monitor while I have the show up in the other monitor, and unless I really forget to pay attention I don’t need to scrub back and watch again.

spoon-lationship

I met someone that I already knew, who coincidentally is the person that recommended the first C-drama I watched, and several months later we awkwardly queer-ed ourselves into a relationship. As you do! We have been calling it a ‘spoon-lationship,’ another word I made up that was not my best work since it’s really not easy to say aloud. It’s an acknowledgment that we burn out and sometimes we can’t send many messages or record Marco Polo videos very often because it’s just Too Much, but it’s okay because neither of us thinks the other person is avoiding them.

it’s looking like a fucking mess in here

This country, I mean. The United States is, as I’ve overheard and agree with, a failed experiment. We started out fucked up and have fucked it up worse as the consequences have repeatedly harmed everyone not on the top of the pile.

Palestinians are still being genocided. Sudan, Congo, Haiti, and all the places I’m not remembering, full of people who want their land back, their freedom back, their communities to be safe, their children to grow up well.

A better world is possible.

learning that love is integral to revolution is a mindfuck

Because it doesn’t seem like, the way that love is usually portrayed in our society, that love would do it. We get a lot of messaging about love that pretends away harm, accepts abuse, abuses others, lies, and has no truth in it. Love like that is possessive, keeping a record of wrongs. It is violent. It categorizes people as the Other. Love like that speaks without thinking further ahead than one’s feelings in the moment. Love like that hurts our own selves the same as we are hurting others.

However — real love, I am discovering as I learn from those wiser than I, is about accepting that we all harm one another. It is an acceptance that I will do harm without believing that this changes my inherent beautiful worth as a person. It is an invitation to think of my relationships as worthy of repair, rather than a burden too heavy to do the work of restoration. There are always situations in which repair can’t realistically happen, but the situations that can be repaired far outweigh those.

Living in community with others, with love as a guiding principle, is helping me remember to assume the best about my family members. It helps me see my own failures with compassion. It helps me extend compassion and understanding that uses the breadth of my soul to show up in contexts that are hard and scary.

How can I love another person if I am unable to see and love who and what I am, as I am?

I wanted to wait for an epiphany before I wrote something else, I think. I wanted to be the person having the big important pattern-seeing thoughts, but better even than that is to be learning about what’s on the other side of the epiphany — the part where you integrate the new knowledge and then practice it. I can engage in praxis meaningfully whether or not I was the first person I know who realized a thing.


epilogue:

all our time is borrowed
all our love is a gift
when truth comes down like a hammer
all there is, is this

I have returned from thy kingdom come and all beyond that burned
I’ve come from an age immersed in a mighty force of mortal rage

silence
drowning out the thunderous waves of emotion
violence
running out of devices of faith and devotion
if you could just move this lever you would not be immune to love
if you could just move this lever you could stop becoming what you’re afraid of

are you ready now
when the truth comes down

I have returned from thy kingdom come and all beyond that burned
I’ve come from an age immersed in a mighty force of mortal rage

I cannot run
I hear your call
we’re only chasing shadows now that castles cannot fall

I cannot hide
the walls don’t lie
we can’t keep what can’t be kept
to justify how long we’ve slept

I must try to flood this fire
to stop the pain and start to heal
to be the one you most admire

I can’t give up
I have no choice
when all your words fall on deaf ears I will be your voice

now we have returned to thy kingdom come and all that’s ours is learned
now we come to an age where truth and love are drowning out the rage

are you ready now
when the truth comes down
I will be your voice

— lyrics from Your Voice by Les Friction

Spotify link: Your Voice, Les Friction

YouTube link: Your Voice, Les Friction


If you get this post as an email, I hope it was a good email to read. If you read this by typing my website address into the browser, I am extremely flattered. If you’re here for the first time, yes, I am like this pretty much always. And I’m glad you’re here too.

xox,
Nix

featured image is a photo by Dylan Shaw on Unsplash