the premonition, by banana yoshimoto

closeup of a dark brown tree trunk with some green leaves growing on thin vines. from the Aomori area in Japan.

I’m not in the habit of reviewing books, but sometimes there’s a story that filters into my heart and feels as if it has changed my soul in a subtle way.

cover of "the premonition" by banana yoshimoto. the shape of a house with two peoples' shadows, covered partly by green leaves
the premonition, by banana yoshimoto, translated from the Japanese by Asa Yoneda

I borrowed this book, the physical copy, from the local library. It caught my eye as I wandered through the stacks, partly because of the blue background, partly because the title and author name are in lowercase, which is unusual.

Reading a story that has been translated is a specific and important kind of experience, I think. Even though I don’t speak Japanese, and even though I have never met the author or the translator, there is a heavy sense of cultural experience that is both the same as what I know and entirely different.

It’s a short book, only 133 pages. As I turned each page, I noticed how many of them had been carefully folded down and then straightened out again, to mark a place for some other reader. There were more dog-eared pages than I would have expected for a short novel, but I think after reading it I can understand why a person would need to pause and reflect and feel before continuing on.

Without spoilers, I just wanted to acknowledge the ways this story felt real to me. The experience of premonition and the kind of knowing that happens to a certain kind of person — that is a thing I understand, and it is very difficult to properly describe. Somehow, the author captured some of that otherly, disconnected yet connected, underwater feeling.

Reading this book was like pausing and allowing the story to come to me as it was. Reading this book was like a tea ceremony, measured and careful and holy and warm and whole unto itself. Reading this book reminded me that life goes in directions we don’t know, and that we do know even when we don’t consciously know it.

As a person whose childhood memories are all but hidden from me — I did that myself, I had a very traumatic childhood — I could relate so achingly to the protagonist of the story.

As a person who is on an Asian drama binge, I appreciated the brief dipping into the thoughts and feelings of someone Japanese. I appreciated the things that are the same and especially the things that are not.

I have no idea how to give this book a star rating. It is the story that it is, and I think it’s beautiful.


If you read this book too, I would love to hear what you thought and felt about it. And how many times you needed to pause and turn down a page to keep your place while you absorbed it.

xox,
Nix

featured photo by Seiya Maeda on Unsplash

in my queer media era

large lettering on a concrete wall: WALLS ARE MEANT FOR CLIMBING. LAND BACK TURTLE ISLAND PALESTINE. WALL OF SHAME. from the river to the sea Palestine will be free.

Note: you might be getting this through WordPress’s native newsletter function, so you can go in and update whether you want to continue getting posts from me, or adjust the frequency.

It’s been … months since I wrote here. We decided to move our family’s various domains and data to one account, which meant a lot of backend stuff and waiting on DNS to propagate and so on, and then (you know how it is) I waited so long that I had no idea what to say so I said shit-all.

Well, that’s not entirely true. I have been saying plenty of shit, mostly shitposting, but also a lot of screaming with my whole queer self about genocide because a lot of people are screaming and I want to tell my children one day that I also screamed, for the same people, for the same reasons, because the world is wrong and it needs us to make it right.

I’ve been on Mastodon and Instagram being queer and weird and revolutionary. I’ve been reading books. I’m READING BOOKS. I haven’t been able to fully pay attention to books in any format for at least a decade, maybe two. I’ve been watching Asian dramas — I started out with a Chinese historical drama (a C-drama, if you will) and that was the gateway drug I needed and now I’ve got 170 things on my watchlists and 11 things in rotation right now and I am truly, deeply enjoying it so much.

I’m learning that the things I thought I already knew about love and joy and community were the very beginnings of a child’s thoughts, and that all the stuff I was wondering about were the fragments of dreams others have written down. I started reading bell hooks and I’m reading poetry and I am noticing such a heavy through-line between grief and love and joy and happiness and relationship, although it’s more of a web that I can only see a little of at a time.

I have been keeping track of the books, shows, movies, and music I’m engaging with this year and called it the Chronology of Finishment and yes I made up a word and I’m very happy with it.

That’s what I’ve been doing this year in between all the things needed to help a household run, and projects we’re working on. I don’t like to watch things that are dubbed, but I have AuDHD, so I have a lot of trouble just doing ONE thing at a time without distracting myself by getting lost in the middle distance. So I have been playing really simple games on one monitor while I have the show up in the other monitor, and unless I really forget to pay attention I don’t need to scrub back and watch again.

spoon-lationship

I met someone that I already knew, who coincidentally is the person that recommended the first C-drama I watched, and several months later we awkwardly queer-ed ourselves into a relationship. As you do! We have been calling it a ‘spoon-lationship,’ another word I made up that was not my best work since it’s really not easy to say aloud. It’s an acknowledgment that we burn out and sometimes we can’t send many messages or record Marco Polo videos very often because it’s just Too Much, but it’s okay because neither of us thinks the other person is avoiding them.

it’s looking like a fucking mess in here

This country, I mean. The United States is, as I’ve overheard and agree with, a failed experiment. We started out fucked up and have fucked it up worse as the consequences have repeatedly harmed everyone not on the top of the pile.

Palestinians are still being genocided. Sudan, Congo, Haiti, and all the places I’m not remembering, full of people who want their land back, their freedom back, their communities to be safe, their children to grow up well.

A better world is possible.

learning that love is integral to revolution is a mindfuck

Because it doesn’t seem like, the way that love is usually portrayed in our society, that love would do it. We get a lot of messaging about love that pretends away harm, accepts abuse, abuses others, lies, and has no truth in it. Love like that is possessive, keeping a record of wrongs. It is violent. It categorizes people as the Other. Love like that speaks without thinking further ahead than one’s feelings in the moment. Love like that hurts our own selves the same as we are hurting others.

However — real love, I am discovering as I learn from those wiser than I, is about accepting that we all harm one another. It is an acceptance that I will do harm without believing that this changes my inherent beautiful worth as a person. It is an invitation to think of my relationships as worthy of repair, rather than a burden too heavy to do the work of restoration. There are always situations in which repair can’t realistically happen, but the situations that can be repaired far outweigh those.

Living in community with others, with love as a guiding principle, is helping me remember to assume the best about my family members. It helps me see my own failures with compassion. It helps me extend compassion and understanding that uses the breadth of my soul to show up in contexts that are hard and scary.

How can I love another person if I am unable to see and love who and what I am, as I am?

I wanted to wait for an epiphany before I wrote something else, I think. I wanted to be the person having the big important pattern-seeing thoughts, but better even than that is to be learning about what’s on the other side of the epiphany — the part where you integrate the new knowledge and then practice it. I can engage in praxis meaningfully whether or not I was the first person I know who realized a thing.


epilogue:

all our time is borrowed
all our love is a gift
when truth comes down like a hammer
all there is, is this

I have returned from thy kingdom come and all beyond that burned
I’ve come from an age immersed in a mighty force of mortal rage

silence
drowning out the thunderous waves of emotion
violence
running out of devices of faith and devotion
if you could just move this lever you would not be immune to love
if you could just move this lever you could stop becoming what you’re afraid of

are you ready now
when the truth comes down

I have returned from thy kingdom come and all beyond that burned
I’ve come from an age immersed in a mighty force of mortal rage

I cannot run
I hear your call
we’re only chasing shadows now that castles cannot fall

I cannot hide
the walls don’t lie
we can’t keep what can’t be kept
to justify how long we’ve slept

I must try to flood this fire
to stop the pain and start to heal
to be the one you most admire

I can’t give up
I have no choice
when all your words fall on deaf ears I will be your voice

now we have returned to thy kingdom come and all that’s ours is learned
now we come to an age where truth and love are drowning out the rage

are you ready now
when the truth comes down
I will be your voice

— lyrics from Your Voice by Les Friction

Spotify link: Your Voice, Les Friction

YouTube link: Your Voice, Les Friction


If you get this post as an email, I hope it was a good email to read. If you read this by typing my website address into the browser, I am extremely flattered. If you’re here for the first time, yes, I am like this pretty much always. And I’m glad you’re here too.

xox,
Nix

featured image is a photo by Dylan Shaw on Unsplash


we are Atlas

a brown-skinned hand holding a watermelon slice against a backdrop of water

cw: this poem contains references to war, genocide, and violence


scream, scream against the dying of the light
scream, against the dying
scream, scream

a better world is possible
it will take all of us to make it
where ‘all of us’ means those who will do the work

for those without a voice
for those with voices unheard
un-listened to
un-alived

scream, scream
a better world is possible
we will make it true

bring the weight of the world down on our shoulders
we are Atlas
we will carry it for those who
have no childhood
have no children
have no home
have no place

you taught us that humanity is cruel
you showed us on our bodies how deeply you hate
you cheered for death
you called the cops
you sent the bombs
you knocked over our tents
you blew it up again for good measure
you drove over our bodies

we are willing and unwilling sacrifices
we are finding each other
we are pulling someone from rubble
we are throwing water on a fire
we are letting it burn

we cannot rest
how can we rest

we will scream until
nobody needs to scream again
even when history repeats its cycle
we will be screaming and screaming

peace does not arrive on its own
we must weave it into reality
a better world is possible only if we are willing
to scream
to up-end
to block the road
to shame you in your own home
to remind you that you stole that land
to never let you forget

if we remember anything
if our descendants recall who we were
let them remember how we screamed
why we screamed

this is the blessing we leave you
don’t fear
don’t hesitate
don’t forget
let peace embrace you like our love
we hope you live in the better world

Phoenix Kelley, May 5 2024


epilogue:

This is the revolution tell me
Where were you
When our flags turned white
Cause our lips turned blue

When the pavement’s red
When your friends are dead
When the sky turns black
While you’re in your bed

If they come for us they could come for you
When they take my life they could take yours too

This is war this is war
What are we fighting for
What are we dying for
This is war

When the bodies drop don’t look away
Watch the bullets fly to the sound of grenades
I will never be afraid

Remember their names don’t look away
When the killing stops don’t look away
Watch the victims cry to the sound of brigades
I will never be okay
Remember their names don’t look away

selection from This Is War by Huxlxy

This Is War: Spotify link
This Is War: YouTube link
This Is War: Soundcloud link


postscript:

I’ve been reading a lot of books and listening to a lot of music and watching a lot of Asian dramas and not sleeping very well and having a lot of allergies and feeling depressed and having high chronic pain days and feeling extremely overstimulated by almost everything.

My collection of documents now includes a list of the (over 100) dramas I have on my watchlist(s), plus what I’m watching, and what I already finished; plus all the books I’ve read, which ones I’m reading, and my TBR list for this year. An itch needed scratching, I guess, and I’m updating the document every time I start or finish something, so it feels like I’m doing something with it.

I will leave you with a video I saved from TikTok and uploaded as an Instagram reel: Columbia University students screaming at the top of their lungs in the night at the university president’s home. Scream. Scream as loud as you can.

(posted reel on Instagram: direct link is here)

xox,
Nix