Rocannon’s World, by Ursula K. Le Guin

a purple-pink starry sky. a small comet streaks across. the foreground is a dark silhouette of mountains.

discussion of ideas; cw: talk of death; book spoilers likely


Rocannon’s World is one of the books in the Hainish Cycle, written by Ursula K. Le Guin. According to GoodreadsRocannon’s World is the first in the series, although according to some googling, it isn’t important to read them in order. I read her books a little at a time, spiritual texts that contain multitudes of hidden understandings. I chew on each paragraph over time. When I read A Wizard of Earthsea, it damn near ruined me for quite a while. I’m still affected by the words she wove together and I hope I never stop being affected by them.

I believe that one of the reasons that it’s not necessary to read the series in order is that there is spacetime travel that renders lifetimes almost meaningless in the traditional sense — time is linear but in one way for the liver of the life, and another entirely for the people who live in other places and in other whens. The universe that holds the stories within it is as finite a place as a universe can be (is it?), and this as well as the ideas expressed in the books are the threads that connect the stories to one another.

How can you tell the legend from the fact on these worlds that lie so many years away? — planets without names, called by their people simply The World, planets without history, where the past is the matter of myth, and a returning explorer finds his own doings of a few years back have become the gestures of a god. Unreason darkens that gap of time bridged by our lightspeed ships, and in the darkness uncertainty and disproportion grow like weeds.

PROLOGUE: The Necklace

I suppose that one way to describe it, in my personal understanding, is that the way a story passed down word-for-word for generations upon generations holds a meaning that goes beyond the words themselves. Stories like those are as much metaphor as they are literal. A swelling of mythology and distant names and descriptors that can mean many things; it all depends, for you, on who you are and how you understand the world you find yourself in.

Rather than spoil the story by being literal in my musing, I wanted to think about some of the jewels of wisdom I glimpsed during my first read-through. It is probably more accurate to refer to them as seeds rather than jewels, because the more I think and reach for understanding, the more epiphanies can grow in my mind and affect my Self.

Observing the thing changes the thing

Rocannon, the person, is part of a scientific expedition to a planet that was surveyed and given a classification but not named as its people would name it. Rocannon is an outsider but interacts with the world as an outsider who is trying to listen, to understand, to learn as much as he can and to do as little harm as possible. He follows the traditions and uses the language of each race of people he meets as much as possible, and near the end of the story is given the terrible ability to hear and understand others in his mind, without spoken language, a structure informed by imagery and thoughtform and emotion and intent.

His experience on the world that was later named for him is not able to be as impartial or careful as he might have liked. Whatever his initial purpose was for visiting that world, he became intrinsically tied into the story of that world, as that story was told and understood and even foretold by the different races there.

There is no such thing as zero harm

Every action has a consequence — either you choose consciously to do something, or you act without thought; you may speak, react, respond, do, think, or something else, but no matter what you do, there is a response to the action of your choice. So it is with all choices.

And with every choice, some harm will occur. You may not be aware of the harm, or you may be very aware of the harm. Rocannon does harm simply by being on that world, by participating in the societies that are native there, by choosing and being changed and choosing from that new changed self. There is no such thing as doing no harm, not in this story, a kind of mirror of this mortal world of ours. There can only be reduction or mitigation or redress of harm, and that can only happen if we are aware of the possible directions in which harm could happen. We will never see all the threads of possibility, unless we become like Cassandra and cannot do anything but know things; and even to be Cassandra, to speak would do harm and not to speak would do harm.

Because harm will always occur, one must be able to fully own their choices, even and especially when they encounter the result of that harm. Choice without accountability is cowardice. It is to lie to yourself and to others.

Knowledge is a cliff-edge

As I mentioned above, Rocannon is gifted — and pays for — an ability he did not know that he was paying for (although he paid willingly, understanding the price but not what would be the payment), and as a result is able to know not only what he needs to know, but also knows what is probably worse: the moment of death of not just one person, but multiple people in their simultaneous dying.

Each person experiences the mystery of death differently, although I believe that the generality of the experience is the same. We go from life into death, by one means or another. My belief is in a world that perhaps layers underneath and around this one, a world where we exist when we don’t exist here in the state we call aliveness. Philosophical complicatedness aside, our individual emotional and spiritual and physical experience of the moment(s) of death are already profound, and to vicariously know and feel a multiplicity of deaths in one moment is enough to break a mind.

Somehow, Rocannon’s mind is not broken, but he is forever changed.

“Why do they think so?” he demanded. “Do the gods of the Liuar come with gray hair and crippled hands?” The laserbeam from the helicopter had caught him in the right wrist, and he had lost the use of his right hand almost entirely.

“Why not?” said Ganye with her proud, candid smile. “But the reason is that you came down the mountain.”

Chapter IX

I already want to go back and read this book again, but it needs time to sit with me as I hope to absorb as much as I’m able.

If you’ve read this book, I would love to hear your thoughts; you can respond here in a comment, or @ me on MastodonThank you for being here with me.

featured image is a photo by Vincentiu Solomon on Unsplash

this is not an obituary

a naked woman, Truth, emerging from a well. famous painting reproduced faithfully as a photorealistic image.

cw: implied talk of abortion, death, grief

[context: the strikedown of Roe v. Wade]


Scroll to the bottom of this post for ways to find me and ask for help. No strings.

Today I have words, but I’m not sure that any of them can be adequate enough.

What I want to say, I think, is this:

We are all angry, and some of us are alone. We rage for justice, we weep for the circumstances outside of our control. We panic and we mourn and we want to make contingency plans but it’s not fucking happening today.

This is not an unprecedented time. Time is not really a flat circle; it does turn back on itself in an endless loop, but perhaps if we are lucky the loop is a spiral and we are getting somewhere better, a tiny movement at a time. And maybe we aren’t. Maybe this is the sum of the parts of our struggle; maybe the only thing to hope for is some moments of quiet and perhaps the strength we may find in love.

I’m a deathworker. I am intimately acquainted with the vast lands of water and fire of grief, and regret, and desire, and choices, and the end of choices. Most of us don’t want to make plans for our own death, and beyond it, for the ones we’ll leave behind.

Today it seems like a sham to hide from our eventual mortality. No matter what it is that takes us from here to there — wherever there is, for you — we will all die. Some of us will have a choice in those moments, and many of us will not.

If you need someone to hold your hand while you scream and cry, I am here. If you will someday want someone to help you navigate how to protect your last moments, I am here. I will be here now and I will be here then.

Until that day, we fight.

How to reach out to me: leave a comment here. Email me at nixkelley at proton dot me. Text me at 734-386-0537. Call me on that number and leave a voicemail. Find me on keybase (keybase.io/nixkelley). Find me here in my room, if you are here in my house. Find me on Facebook Messenger (m.me/phoenix.v.kelley). Ask for help and I will answer.

featured image is a photorealistic recreation of ‘Truth Coming Out of Her Well’; ‘To Shame Mankind’ is often appended to that title; painted by Jean-Léon Gérôme

death & hope

a child looks through a small hole from within a cardboard box. light comes through the hole in the box.

cw: death, war


I have been in a struggle with myself, looking at the world from my own eyes, which are by definition inside my own head and whose sight is imperfect.

The war in Ukraine is the first war that I have intentionally immersed myself in, which isn’t saying much — this is not the first war in my lifetime. When I was young, I was afraid of what might hurt me, terrified of unknown danger, believing that damage without justice was inevitable. I no longer believed in a just world, even before I could articulate it. Now that I am older, I am still fearful of what might hurt me, but I also fear what damages, kills, and wipes out people who are not me.

Thanks to messages written and shared on social media, I have been given a glimpse into the terror and fear and death of people who are not me. I want to look away, but I am constantly in disagreement with myself: I should take a break, I should keep my eyes open. I should remember that this is not about me, I should remember that until all of us are free, none of us are free. I should turn my selfishness inside out and step directly into the hurricane of loss. I should acknowledge this burning presence of genocide, even as I look away to close my eyes and rest a while. I should keep my mouth shut so that the voices of others can be lifted higher. I should speak because silence is fraught with injustice.

The sound of death, its grinding relentless force, is so loud these days.

Death brought into being by people that have the ability to stop it but choose not to.

Death brought into being by the young and misinformed. Death brought into being by those who know better. Death rained down on children.

Death brought into being by occupiers, by apartheid, by cruelty, by an abundance of pride and ego and the inability to admit that they have chosen violence.

My spiritual belief and understanding includes the concept of reincarnation, rebirth, being given more chances to get it right this time around. I believe that most people will be reborn, some with baggage, some without. It is its own horror to contemplate the idea that eventually, some people will no longer be given the opportunity to live another lifetime.

The kind of death that is happening right now sounds to me like an endless silent screaming and a darkness that brings no peace or rest. This is not to say that this is a unique time in the world’s history for death like this; I am only now able to look at a beast that consumes, even though it has existed for as long as we have also existed.

It’s that old recurring dream where you’re drowning
Flailing your arms out, fearful and frantic
And black waves are curling and pounding
Down onto your head somewhere in the Atlantic
Through the fathoms below you a shadow
Is gliding up towards you with singular purpose
And hundreds of thousands of gallons
Of ocean froth and foam as it breaks the surface

Its black eyes find you almost at once
You can’t hide, swim away or take air into your lungs
To scream for help that won’t come

from ‘Black Eyes‘ sung by David Wirsig

I cannot stop listening to this song; it has been on repeat in my head for weeks now. It feels to me like a snapshot of the terror and finality of death. Of understanding and then accepting that there is nowhere left to go, no more choices available.

But: there is hope.

Like Mariame Kaba has said, “Hope is a discipline.”

I believe that death and grief and hope can exist simultaneously. We are complicated creatures and hold paradoxes within us.

Yesterday I had the privilege of listening to Rabbi Danya Ruttenberg give a lecture on The Torah of Reproductive Freedom (tweet about it is embedded, if you can’t see it the link is here:

At the closing of the lecture, she said “Step by step, we will bring the new world into being.” Then she read the following poem aloud, and I wanted to share a bit of it with you (along with the link to the full poem; emphasis added):

Say these words when you lie down and when you rise up,
when you go out and when you return. In times of mourning
and in times of joy. Inscribe them on your doorposts,
embroider them on your garments, tattoo them on your shoulders,
teach them to your children, your neighbors, your enemies,
recite them in your sleep, here in the cruel shadow of empire:

Another world is possible.

… imagine winning.  This is your sacred task.
This is your power. Imagine
every detail of winning, the exact smell of the summer streets
in which no one has been shot, the muscles you have never
unclenched from worry, gone soft as newborn skin,
the sparkling taste of food when we know
that no one on earth is hungry, that the beggars are fed,
that the old man under the bridge and the woman
wrapping herself in thin sheets in the back seat of a car,
and the children who suck on stones,
nest under a flock of roofs that keep multiplying their shelter.
Lean with all your being towards that day
when the poor of the world shake down a rain of good fortune
out of the heavy clouds, and justice rolls down like waters.

selection from ‘V’ahavta‘ written by Aurora Levins Morales

Death and hope are forever intertwined. We cannot understand death without also holding the feeling of hope, even if it is buried so deeply that we cannot find it within ourselves.

Grief needs its time. War needs to be seen, because there is no way to choose differently if we do not comprehend the consequences of choosing something else.

We must take these lessons and let them make a home in our hearts, so that we never forget; and when we do forget, we take turns telling the stories that remind us. If hope is the thing with feathers, give it space to soar high overhead. When the hope of morning is overshadowed by the darkness of the night, remember that the light always returns.

Hope is the way home.


featured image is a photo by Dmitry Ratushny on Unsplash